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"M°
Enrico Euron, one of the European most experts in this field,
is a referring point for traditional Irish and Scottish music:
his accademic and universitary studies and his improving in Celtic
Harp in the countries where this instrument has been for twelve
centuries source of everlasting glory (Ireland, Scotland, Bretagne),
makes of him a sought-after lecturer and an applauded performer,
a continuator of that charming and multiform tradition (which
is today too often modified with changes that follow the current
fashion). After almost ten years of presence on the Italian and
European scene, after the pubblication of monografic treatises
and specific antologies for Celtic Harp, after collaborations
with universitary sites and monografic seminaries held in many
Italian Conservatories, with an enormous success, the next step
has been the creation of the site [...], which will: on one side
be a meeting point for all his many fans and all who share with
him the same passion for the celtic harp, on the other a bearer
of musical and cultural proposals. It will soon be possible to
download some of his tracks, to have a real example of what traditional
Irish music can still tell us today. In the multiformed current
view of celtic music a return to its origin, the seplicity of
the traditional performance, free from any kind of change, the
loyality to a world that exists inside ourselves, not only in
Irish and Scottish countries and villages, descovers unexpected
and charming horizons."
MARKETPRESS,
26th February 2002
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Enrico Euron … has his site. And till here there will be noting
to say, but M° Euron is one of the most important studious, searchers
and concert artists of celtic harp. He is also an important referring
point for all what concers traditional Irish and Scottish music. His
site tells his formation and the most important events of his career.
For further information it is also possible to visit the site of Tuatha
De Danann [www.tuatha.it], the
group with whom Euron performs in Italy and many European countries."
Internet
News - April 2002
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"...among
the most known performers in the world of the celtic harp and specialized
in the traditional tecniques of this instrument..."
Celtica
n. 18 - March/April 2002
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"...one
of the most Italian experts of the instrument, known and appreciated
concert artist who has studied the tecnique and the repertory of
the instrument directely with the teachers of the tradition in Bretagne,
Scotland and Ireland."
L.
T., La Nuova Sardegna, 22nd February 2002
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In
Italy we have some very good celtic harp musicians, who have recieved
many international prizes... Enrico Euron is one of those "chosen".
Unanimous esteemed in Europe, he is often invited to patecipate
at meetings, debates and live concerts. I think that Enrico Euron
has a lot to say about musicality and execution quality. We can't
do otherwise than recognize his merits.
Folk
Culb, January 2002
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"Organist
of musical training, but Celtic harp studios affirmed by now, Enrico
Euron is one of the few Italians who, beyond the many and immediate
suggestions that the discografic production offers this instrument
today, succeded obtaining the most acients sources of the Irish
musical tradition. ...[Enrico Euron] has learned the correct use
of this instrument directly from the depositaries of the Celtic
musical tradition."
Eugenio
Cipriani, L'ARENA DI VERONA, November 2001
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"We
would underline again the infusion of cultured elements in the second
reading of the so said, celtic material, and we only refer to Miss
McDermot's exquisite polyphony to make an example, which recalls
immediately the baroque scores for strings. We may say that it represents
an exception in Italy…"
Interview
on Keltica, January 2001
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"…a
part from some cultured compositions (Turlough O' Carolan' repertorie),
[Enrico Euron] favours what has always been the real treasure
of the acient Irish music: the touching simplicity, the few
notes that opens an infinite horizon, that makes understand
how somebody felt the same things that you feel today, three
centuries ago. But if you are not able to exspress them, he
succeeded, and you have to play them and make them yours, and
after transmit them to others, so that they can do the same..."
Article
on the magazine Fortepiano, October 1999
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"Enrico…
who plays music like an Irishman…"
Desmond
Egan, Irish poet, conference at Torino's University, 3rd Dicember
1998
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"When
you are in the presence of a person, who, before being a musician,
is an artist, words are inexorably mutilated in their descriptive
funtion. Looking at his long hair which is tidy and untidy at
the same time, captured by his open gaze towards what goes beyond
and immersed in his music, I am dragged in an atmosphere, where
he becomes an emblematic figure, half bard and half elf, hidden
in the misteries of the wood, but still present and immanent
part of it."
Massimiliano
Finotti, LUNA NUOVA, May 1998
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"…
The absolute silence which surrounds Enrico Euron's performances is
extraordinary... Listening to him is surely a rear occasion to be
introduced in a musical and cultural "topos" of inimitable
suggestion."
M. G., GAZZETTA DI TORINO, 1997 |
"[Enrico
Euron] … has offered all the charm of the melodies that
recalls the most genuin celtic music... The performance of the
most beautiful compositions made by Turlough O'Carolan has donate
moments of real mysticism..."
S. Beretta, L'ECO DEL CHISONE, 1997
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